DVD Insight

Ryan Reynolds and a bevy of excellent actresses star in this smart and touching romantic comedy about a little girl trying to understand her father’s complicated history with women. Will Hayes (Reynolds) is in the midst of a divorce, and his 11-year-old daughter Maya (Abigail Breslin) wants to understand what went wrong with her parents’ relationship. She begs her father to tell her the entire story of how he met her mother. Will begrudgingly agrees, but changes the names of everyone involved, leaving it up to Maya to decipher who in the story is her mother. Thus Will begins his tale, weaving a romantic and amusing maze of missed connections and bad timing with the likes of three beautiful women: Summer (Rachel Weisz), April (Isla Fisher), and Emily (Elizabeth Banks). Will bounces from relationship to relationship, misunderstandings and confusion thwarting him every step of the way. Who will he end up with? Which woman is ultimately right for him? The film keeps Maya and the viewer guessing right until the very end, with a bittersweet but ultimately triumphant surprise twist tying it all together. Reynolds has long outgrown his VAN WILDER days, and does an excellent job of holding his own with the talented Fisher, Weisz, and Banks. The film is certainly a stand-out from the current crop of romantic comedies, in that the women are intelligent, well-drawn characters, and the relationships are painted with a funny, but realistic eye. And blessedly, it doesn’t end with the standard blowout wedding that has become the hallmark of such films. DEFINITELY, MAYBE is a smart and sexy take on the complexities of love, and still manages to be kid friendly, while sending a very positive, honest message to children of divorce. (1 hr. 51 min.)

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Based on the bestselling series of children’s fantasy novels of the same name by Holly Black and Tony DiTerlizzi, THE SPIDERWICK CHRONICLES follows the adventures of the Grace family, newly transplanted from New York City to an inherited home in the remote New England woods. Angry with his mother (Mary-Louise Parker) about the move, the sulky Jared (Freddie Highmore) begin to explore the strange old house, and discovers a magical tome written by his great, great uncle Arthur Spiderwick (David Strathairn). Soon Jared and his twin brother, Simon (also played by Highmore with the aid of seamless special effects), are drawn into a realm of goblins, boggarts, and ogres–a reality that coexists with the human world. By the time the boys’ older sister, Mallory (Sarah Bolger), is in on their secret, the siblings are steeped in a conflict with the evil shape-shifting ogre Mulgarath (Nick Nolte), who will stop at nothing to get Spiderwick’s book.Directed by Mark Waters (THE HOUSE OF YES, MEAN GIRLS) and scripted in part by lauded filmmaker John Sayles (THE SECRET OF ROAN INISH), SPIDERWICK succeeds as an engaging kid-oriented movie that also offers up genuine thrills and chills for adults. Highmore and Bolger impressively mask their British and Irish accents, respectively, and display a convincing brother/sister bond, while Martin Short and Seth Rogen provide comic relief as the voices of unlikely CGI allies. Intentionally smaller in scope than other like-minded literary adaptations such as THE CHRONICLES OF NARNIA and THE GOLDEN COMPASS, SPIDERWICK is rooted in a beautifully earthy, antique aesthetic that provides the perfect setting for its likable protagonists and bizarre-yet-naturalistic creatures. (1 hr. 37 min.)

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Writer-director Christopher N Rowley makes a strong directorial debut with BONNEVILLE, a different kind of road movie. After her adventurer husband, Joe, suddenly dies while they are in Borneo, a lonely and scared Arvilla Holden (Jessica Lange) returns home to Pocatello, Idaho, where her husband’s daughter from a previous marriage, the snooty Francine Holden Packard (Christine Baranski), is waiting to bring her father’s body back to Santa Barbara, California, and bury him next to her mother. But Arvilla has already had him cremated, so Francine makes a deal with her: If Arvilla will bring her husband’s ashes to Santa Barbara in time for the funeral service, she will allow Arvilla to keep the house. However, Arvilla had promised Joe before he died that she would scatter his ashes to the wind. So Arvilla and her two best friends, the loud and boisterous Margene Cunningham (Kathy Bates) and the prim and proper Carol Brimm (Joan Allen), set off in Joe’s 1966 Pontiac Bonneville convertible, ostensibly to get to the airport to fly to Santa Barbara, but Arvilla has something else on her mind, leading to a funny and poignant road trip across the beautiful American West as the three mature women learn yet more about life, love, and death. Two-time Oscar winner Lange, Oscar winner Bates, and Oscar nominee Allen are terrific as the three friends, with fine support from Tom Skerritt as cool trucker Emmett L. Johnson and Victor Rasuk as a young hitchhiker named Bo who seemingly appears out of nowhere. The locations, beautifully shot by cinematographer Jeffrey L. Kimball, include the Bonneville Salt Flats, Bryce Canyon National Park, Las Vegas, and lots of open road. Mixing in elements of such road-trip films as THELMA & LOUISE, ABOUT SCHMIDT, and LAST ORDERS, and with a country folk soundtrack that features songs by Donovan, Amos Lee, Pete Droge, and Nik Kershaw, BONNEVILLE is a sweet, sincere ride. (1 hr. 44 min.)

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A young album-painter learns a lesson about daring to dream when he is kissed by a magical muse. Throwing caution to the wind, he partners up with a wealthy former jazz musician to start-up a roller disco nightclub, but finds that one of his dreams might be too lofty–even for the powers that be. A modern musical featuring the musical talents of Olivia Newton-John, Electric Light Orchestra, the Tubes, and Cliff Richard, with a touch of cartoon from animator Don Bluth. (1 hr. 33 min.)

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At the start of CHARLIE BARTLETT, the title character (Anton Yelchin) is expelled from yet another elite boarding school. This incident is just one in a long chain of expulsions resulting from Charlie’s eccentric behavior. Despite his charming looks and wealthy upbringing, Charlie is just as insecure and unconfident as many teens. In fact, it’s his intense desire to be popular that gets him into trouble. His high-strung, heavily medicated mother (Hope Davis) persuades him to enroll in public school, where he wears a prep school blazer and an all-too-eager look on his face. When he meets school bully Murphey (Tyler Hilton), who shoves his head down a toilet bowl, his dreams of acceptance are quickly crushed. But the young entrepreneur soon finds another use for the same bathroom stall, setting up shop as the school’s unlikely shrink to his troubled fellow students, who line up for unorthodox counseling and medication that Charlie gets from his family’s on-call psychiatrist. Charlie’s the talk of the school until he catches the eye of the depressed Principal Gardner (Robert Downey Jr.). If Charlie is forced to shut down his little enterprise, will his popularity also disappear? CHARLIE BARTLETT is another addition the offbeat teen dramedy genre, with elements strikingly similar to THUMBSUCKER, RUSHMORE, and ROCKET SCIENCE. With the help of strong performances by Yelchin, Davis, and Downey Jr., CHARLIE BARTLETT attempts to appeal to a more mature audience. Despite being precocious, Charlie is innocent at the core, exploring the inner goodness of even the school’s meanest bully. As a result, the film shifts back and forth between adult cynicism and childlike wonder as Charlie learns that it’s okay to be just a kid. (1 hr. 37 min.)

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When Wiley Roth (Colin Hanks) finds a severed female finger in his kitchen, he knows what he has to do: search for its nine-fingered owner. Together with his best friend and bizarre-o father (Tony Shalhoub), Wiley hilariously scours the quirkly underbelly of Los Angeles, hot on the trail of the finger-less girl who may turn out to be the love of his life.

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More delightfully sick humor from Bartel (EATING RAOUL). In a boorish future, the government sponsors a popular, but bloody, cross-country race in which points are scored by mowing down pedestrians–with bonus points for the elderly! Five teams, each comprised of a male and female, compete using cars equipped with deadly weapons. Frankenstein, the mysterious returning champion, has become America’s hero, but this time he has a passenger from the underground resistance. A legendary cult film. (1 hr. 19 min.)

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Ralph the mouse gets a tiny, shiny motorbike in this beloved Beverly Cleary classic, presented here in both colorful live action and animation. A part of the Scholastic Storybook Treasures series, this title presents the words to the story on screen, allowing children to read along.

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In Futurama’s latest and most tentacle-packed epic, space itself rips open, revealing a gateway to another universe. But what lies beyond? Horror? Love? Or maybe both, if it happens to contain a repulsive, planet-sized monster with romantic intentions! Nothing less than the fate of human and robot-kind is at stake as the Futurama crew takes on The Beast with a Billion Backs.

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